“Do you teach how to make blankets?”

[I’m afraid it’s too late to join the class, but you are welcome to pack your own shoe box for a child in difficult circumstances. Follow this link and let a young person know someone cares. It means more than you can know.]

How could I have known how much fun I was about to have?

Two weeks ago, after brewing up the idea just days earlier, I launched a little online class. Well, I thought it would be little.

A still shot from my “Welcome” video, made in the guest bedroom. I accidentally got the bed in the frame.

I regularly receive questions from blog readers about making blankets: “How do you make your binding?” “Do you back your blankets?” “What kind of sweaters do you buy?” I do my best to answer these sewists, one at a time, generally through email. They are always enthusiastic and eager to learn, and are filled with questions. I love this interaction.

But each time I’ve been asked, “Do you teach a class somewhere?” I’ve simply said  “No.” That limp answer started to bother me. What was stopping me? I knew: fear of the unknown.

The first frame of my third video. I’m still figuring out lighting.

Then I received a notice about Operation Christmas Child coming up and was reminded I wanted to make a child’s blanket again for a shoe box. It clicked. This could be the kick in the pants I needed! How fun would it be to create something beautiful for kids alongside a bunch of stitch-loving women?

I thought of other ventures in life I had waffled on because of fear of the unknown—going to grad school, starting a blog…having children :). Without a doubt, great outcomes, all. I certainly appreciate having my ducks in a row, but that can’t always be.

Two weekends ago, with me needing to master several things quickly, the unruly ducks waddled everywhere:

How do I use the format of a private Facebook group to teach a class?
How do I sequence MailChimp’s forms and confirmations to move people
into a virtual classroom?
How do I make videos, edit and post them?

The dining room set up with lights and camera for a session on laying out a blanket. I had to be careful not to trip on cords while taping.

Fortunately, I already had an outline of course content because Tara Swiger’s practical book Map Your Business recently propelled me to draw up action steps toward some goals (even though I was avoiding executing them!).

So I borrowed photography lights, watched YouTube videos about how to make a video, made two videos using my outline notes, and sent out an invitation to my email subscribers to join me in making a child’s blanket for an Operation Christmas Child shoe box.

I expected three people to join me, and I am not kidding. I was a bit off. Two dozen people signed up!

Scripts for the videos, often taped to the lower half of the camera.

Now there we are, over on Facebook, having a ball. A group of fascinating women teaching, learning, encouraging and spurring one another on. And doing our level best to hit the National Collection Week deadline of November 13-20 for our blanket-filled, lovingly packed shoe boxes.

I’m learning so much from these women! It’s spurring me on to make a plan for more teaching.

[I’m afraid it’s too late to join the class, but you are welcome to pack your own shoe box for a child in difficult circumstances. Follow this link and let a young person know someone cares. It means more than you can know.]

A still shot of some fancy graphics, before I learned more video-editing. The advice certainly fits my learning curve too!

Art in the Barn 2017: Sizzling!

[Photo credit: artinthebarn-barrington.com]             

Last weekend I was at Art in the Barn 2017 in Barrington, Illinois. Although it was 94 degrees (!!) it was a wonderful couple of days.

I’m grateful Walmart still had battery-operated misting fans on their (clearance) shelves. I was able to share them and keep cool myself. I’m also grateful to my hubby for filling our ice chest with chilled waters to hand out to people through the weekend. Without the fans or the water, The Green Sheep may have had a two very tough days. It’s wool, people!

(By the way, those misting fans? They are a huge hit with young boys.)

I don’t do many shows (because so much of my work is custom orders), so it’s extra fun for me to meet people who enjoy wool and its colors as much as I do. Thank you to every single one of you who stopped by in the muggy heat and dared to think about blankets. I loved talking with you. Special recognition to you who tried on wool vests (and then bought them!). I commend you for your imagination for cooler weather ahead, and I hope you’re having fun making outfits with your new vests now that fall is really here.

Thank you all too, for your gate tickets and other purchases that contributed to the Advocate Good Shepherd Hospital Auxiliary and their worthwhile causes. It’s much appreciated.

[Photo credit: artinthebarn-barrington.com]                   

A surprising highlight came at the very end of Day 1, when I was folding up blankets to close down my tent for the night. Master juror Eulalio Fabie de Silva and chair Sharon Vogel approached me with an award for Best of Fiber 2017. A very fun honor!

Several of you told me you follow me online—what a kick that was for me! Many of you are fellow sewists and I love comparing notes. Unfortunately, I didn’t think to get a photo with you until it was too late. Next time, okay? I would value keeping names, faces, and stories together.

Finally, a special “thank you” to my faithful friend and photographer Kellyann Harmon of Kellwood Studio Photography for loaning me her vintage dress form and her wavy mirror for my “fitting room.” They were perfect :).

Here’s to looking ahead to next year!

New Fall Vests!

Are you in northern Illinois? Join me at Art in the Barn Sept 23-24 10 am-5 pm!
The endeavor supports important causes and has wonderful art.
Come try on a vest or cozy up with a new blanket —
I’ll be at space 45 (map here) and would love to see you!


◊   ◊   ◊      Vests!      ◊   ◊   ◊

 

I challenged myself this year to design and refine a vest pattern for Art in the Barn 2017. YES! I’m loving the result. And now I have 5 vests ready for the show THIS WEEKEND!

These are one-size-fits-most/medium, with variations in length and give in the fabric. The pattern’s throw-back cowl neck and loose, swingy fit create a vest that lays well and looks attractive on many body shapes and sizes. Allow me to introduce:

#1 Blue and Gray
Inspired by my obsession with turquoise and silver
$195

#2 Black and Tan
Versatile!
$195

#3 Autumn
I see gourds and leaves. What do you see?
$195

#4 Foresty Green
Named for the evergreens that beckon us toward winter
$195

#5 Denim
The perfect partner for jeans
$195

Come try some on!

On Brokenness and Mercy

Art in the Barn 2017 is soon here! I’ll be there, centrally located at space 45, and honored to be among such a fine group of artists and artisans. Mark your calendar if you’re local—it’s Just one more month until this enjoyable show opens! It’s a great size (175 artists, so not overwhelming) and the quality of art is wonderful. It’s a perfect time of year to appreciate a Midwest fall, and not too early to think about holiday gifts. If you’ve never experienced a Green Sheep blanket in person, come wrap up in one!

♦   ♦   ♦   ♦   ♦   ♦

[Please visit my Etsy shop, The Green Sheep Studio, for purchasing information for “Blessed are the Merciful.]

With Art in the Barn coming up quickly, I’ve continued work on The Beatitudes blanket series enthusiastically. There are now four completed blankets, with ideas for the rest.  “Blessed are the Meek” and “Thirsting for Righteousness” were posted earlier. Today I have two more.

©Joan Olson “Blessed are the Poor in Spirit” (61×74) Felted wool sweaters

This is “Blessed are the Poor in Spirit.” The original verse says this:

Blessed are the poor in spirit,
for theirs is the kingdom of heaven
— Matthew 5:3

©Joan Olson “Blessed are the Poor in Spirit” (61×74) Felted wool sweaters

When I went about collecting colors and ideas for the vibe of this blanket, I dwelt on what it is like to feel scarcity or poverty in my spirit.

The spiritual side of me is where I want my living to be rich and full, where I want to make a priority of significant things in life and be faithful to those.

But it’s also the place where I am very aware of my shortcomings and inadequacies—aware of the poverty of my spirit. With these thoughts, I quickly chose the gray, charcoal, and neutrals.

©Joan Olson “Blessed are the Poor in Spirit” (61×74) Felted wool sweaters

Of course this verse doesn’t end with the sorry state of an empty, broken, and poor spirit. That’s how it made the beatitude list, after all, because there’s a Part Two!

And Part Two says, “…for theirs is the kingdom of heaven.”

My understanding of the kingdom of heaven (or the kingdom of God, used interchangeably in some places in the Bible), is that it is both something for the future and something for now.

If I take my poor spirit and turn to the God who made me, concede my inadequacy and accept his sufficiency, then right there, in that place, I’m pretty sure sits the kingdom of heaven.

©Joan Olson “Blessed are the Poor in Spirit” (61×74) Felted wool sweaters

Is this exactly what Jesus meant when he spoke these words? Of course I can’t know. But this is what those words stirred up in me, thus this is where the blanket began.

©Joan Olson “Blessed are the Poor in Spirit” (61×74) Felted wool sweaters

♦   ♦   ♦   ♦   ♦   ♦

[Please visit my Etsy shop, The Green Sheep Studio, for purchasing information for “Blessed are the Merciful.]

This next blanket, offering quite a contrast in color, is “Blessed are the Merciful.”

©Joan Olson “Blessed are the Merciful” (61×75) Felted wool sweaters

The original verse says,

Blessed are the merciful,
for they will be shown mercy.
— Matthew 5:7

©Joan Olson “Blessed are the Merciful” (61×75) Felted wool sweaters

I can’t explain this one so well; it’s abstract even to me. So this will be brief:

©Joan Olson “Blessed are the Merciful” (61×75) Felted wool sweaters

Mercy.

It is hoped for but seems unlikely.
It comes when it is not deserved.
It comes in waves, on a swell of relentless love.
It comes in layers, emotional, immense, overwhelming.
Its arrival throws one off-balance.
It comes with surprises and it surprises when it is given.

©Joan Olson “Blessed are the Merciful” (61×75) Felted wool sweaters

Where in the world would we be without it?

©Joan Olson “Blessed are the Merciful” (61×75) Felted wool sweaters

[Please visit my Etsy shop, The Green Sheep Studio, for purchasing information for “Blessed are the Merciful.]

“Satin and Lace”

“How do you back your blankets?”

This is a question I am frequently asked! Actually, I leave my narrow seams raw. It means the back of a blanket is a lot like the inside of the shirt or jeans you have on. (Spoiler alert: This is not true for the blanket in the current post!)

(You can see my blanket backs in this previous post and this one and this one, for example. Scroll down in each post to look for a pic where the back is flipped up and exposed.)

Why do I do this? Two reasons.

Reason #1 I love the drape of these stitched-together swaths of wool. They’re malleable. They move with cohesion and lightness. They can do this because there is no back to impede this.

Reason #2 To apply a backing to the various shifting, stretchable knits (from a mixture of sweaters) that comprise one blanket requires a LOT of careful and precise stabilizing. Yards of hand-basting and dozens of safety pins come into play. Except it’s more workout and less play! It takes a strong back to hold, pin, and baste while leaning over the work surface for an extended period. The time needed to do this well translates into a higher cost per blanket.

In sum, if an appropriate backing does not spoil the drape and the hand of the finished wool piece, it can be a lovely thing. Yet its cost in time, money, and back wear is high. STILL! Despite my carefully studied conclusions above, I have a backed blanket to show you.

It happened like this:

My client wanted a wedding gift of a lap blanket for her niece and husband. Serendipitously, for a project I was experimenting with, I had recently assembled several sweaters into a piece in the very colors she desired. I showed her. Perfect! But the fabric was too lightweight to hold its own as a lap blanket.

This client has worked with me before—she’s my lap-size blanket aficionado—and knows I’m a no-backing kind of gal. But she asked if I’d consider putting one on this time. I contemplated. If ever there was a time to try my hand at this, it would be with this manageably-sized blanket. I said yes.

I chose a very soft cotton flannel for the back, keeping the blanket cozy and pliable, and bound the edge with cashmere. While I considered doing some fancy quilt-type top stitching, I don’t have enough experience to know how to effectively conquer the shift and bunch-up challenges caused by the knit. I instead stitched along the stripe lines of the blanket.

Mid-project, my client brought to me some pieces of satin and lace she had found from her mother’s wedding dress. Could I use them? If so, the niece would have “something old” from her grandmother’s wedding dress permanently part of this wedding gift blanket.

There was enough lace to span two long edges, and enough satin to sew up three bridal flowers. I love the touch of antique white and the family presence and significance that comes with it.

Congratulations, Erica and Brian!
Like lace, may your marriage be unique and ever-intriguing;
like satin, may it ever be deep and rich.

©Joan Olson “Satin and Lace” (37×57)
Medium: Felted wool sweaters
SOLD

“Thirsting for Righteousness”

Thirsting for Righteousness

“Blessed are those who hunger and thirst
for righteousness, for they will be filled.”
—Matthew 5:6

As far back as I can remember, I have done my thinking first in weight and image, in spatial impression and juxtaposition, in line and shade, and finally—at the very very last—in words. I can’t help it; it’s how my brain fires. (You can imagine what this does to having a conversation.)

I tell you this because this is how the images for each blanket in this series on the Beatitudes have come to me. I’m not researching the theme first, seeing what Bible scholars say about what Jesus meant, although I think that’s important. Instead, I imagine what might have come to me if I had been sitting on that hillside, listening to those words being spoken twenty centuries ago.

Last month I posted “Blessed are the Meek.” Now here is “Thirsting for Righteousness.”

The word righteousness in present-day usage can carry some negative stuff: a whiff of moral piety, a haughtiness, an outward appearance of being upright. But when I hear Jesus’ statement afresh, I imagine something different: a longing for right-ness, justice, fairness, deep caring, and the making of choices for the good of many, rather than the good of one. I think of humility, not pride.

Of course I don’t imagine those things in WORDS though! It was hard work to transform that last paragraph into verbal units for you!

Now I’ll forge ahead toward more words to attempt to convey how this blanket came to be.

The muted colors of the background are like daily life—lovely and comfortable, but not brilliant. In my mind, this background encompasses personal life, community life, life in our world. There are a few spots that stand out as highlights, but they’re still relatively subdued.

But then: those day lilies! When I look at them I want to cry. It’s that longing rising up—for justice, for caring, for goodness. The plant is not big, nor is it loud, but it stands in sharp contrast to what’s around it. It isn’t there simply due a will to do good or spread beauty; it’s there because of where its roots are.

The lily plant is rooted in a strip of blue, a nod to the prophet Jeremiah’s insight: “Blessed is the man who trusts in the Lord, whose confidence is in him. He will be like a tree planted by the water that sends out its roots by the stream” (Jeremiah 17:7-8).

I’m fairly certain the day lilies appeared in my head because of something Jesus said just upon the heels of his beatitudes. He addressed the topic of anxiety. (Apparently it’s not just a modern malady.) He pointed to the lilies in the fields near where his listeners sat, and noted that if God dressed the short-lived lilies so beautifully, he would care MUCH more fully for those who trust him (Matthew 6: 25-34).

So. Righteousness? True righteousness? I’m not capable on my own. But with my roots in the right place, amazing things can become possible.


“Thirsting for Righteousness”  (62″ x 76″)