Remember those clever mice who helped Cinderella sew her ballgown? I’m not Cinderella and I haven’t been working on a gown, but I too was recently charmed by the help of a small creature on a sewing project.
A devoted client asked if I could repair her grandson’s blanket. “He’s like a little mouse!” she said. “He nibbles all around the edges!” Indeed, I found and darned many tiny holes in his Mickey Mouse blanket. (This mouse theme, so apt.)
Here’s the original blanket, below, back when I just finished it nearly 4 years ago. You can find the story of it here.
But there weren’t only tiny holes; there was one large hole chewed/torn in the stretchy black striped border. For that hole I needed a better solution than darning.
Here’s the gap, about 1″ in diameter. I took this photo just after I made a simple, loose backstitch around the hole’s circumference to stabilize the edges and keep it from stretching larger.
The day she dropped off the blanket, my client threw out some great ideas for covering this bigger hole: “How about a band-aid appliqué?” I love it! And yet I could not get the picture of a nibbling mouse out of my head. I thought it would be sweet to give Mickey some company. So I sketched out a few critters and settled on one.
I traced the drawing onto fusible web, then realized the sewn-in label right next to the hole in the blanket would not allow for the “high alert” tail. I drew a more relaxed version that would fit.
For scale, here’s the little mouse, looking at the hole he’s about to assist in the repair of. He’ll be flipped the other direction for the actual application.
I chose a tan fabric for him that blends with the already-existing colors in the blanket but doesn’t match them completely, in order to honor his own, Johnny-come-lately, disposition. After top-stiching detail onto him, I ironed him into place and pinned a black backing fabric to the patching area so the hole would be covered from both sides.
Here he is after the zig-zagged application:
And here’s the reverse side:
I trimmed off the extra black fabric from the back for this final shape. The silhouette blends in nicely and will keep that hole completely covered.
It’s entirely possible this may not be the laaast repair of this blanket.
Maybe I need to be ready with some extra appliqués…
a chunk of cheese, a mouse trap?
Anyway, here are the new buddies, ready to get back to Theo’s house where they’ll be well-loved some more.
Nearly 3 months ago I began a 5-week online class to make a skirt of my own design, based on a “skirt block” which I created according to my own unique measurements (and they are unique! More on that shortly).
She pretty much helped us newbies do the same with our simple skirts. I learned so much!
I’ve sewn many articles of clothing for myself and family members through the years, but fit has always been a bugger for me. I’ve tended toward patterns where shape is forgiving in order to compensate for my lack of…what? understanding? patience? knowledge? All of the above, really.
The process in Skirt Skills has been so interesting that I wanted to give you a glimpse into how the course worked and what I’ve gained from it. I’ll take you through the main steps chronologically.
1. The first thing we did in the course was reflect on particular skirt ideas to add to our wardrobes. I was looking for something simple for summer, straight or A-line, to wear mostly with simple knit shirts. In the back of my mind, I also was tempted to try cutting a skirt on the bias, as a particular bias skirt in Lotta Jansdotter’s book Everyday Style had caught my eye:
We then learned how to use photos to draw a custom outline of our selves. On mine, I drew some possible skirt designs. Here were my early, simple sketches:
That’s actually when my “unique measurement” problem first showed up. In the third drawing, I look like I’m leaning to my right even when I distribute my weight evenly over my feet. It turns out my left hip is higher (and fuller) than my right hip. Yikes. This affected every single step of this skirt-making project.
2. The next step involved taking lots of measurements in tights. (More than once, too, because I tried to do it alone but it’s tricky to hold the measuring tools straight and read them correctly. Things got easier once I asked my hubby for help.) I’ll share one small, humbling photo of me with elastics tied on to let you see the hip discrepancy I had to deal with. Yikes again. My crazy crooked hips throw off everything above them.
3. I took the measurements and then did a smidge of math to determine my block dimensions and to decide on dart width, length, and placement. I drew each one of those onto heavy paper for the first draft of my skirt block.
4. Next, I traced around the block to transfer all those measurements to a piece of fabric for my muslin or mock-up. (I used an old sheet after I made sure it squared up nicely). You’re seeing the mock-up here after tons of adjustments, multiple bleeding finger pricks where I pinned it closed at the side seam, and many moments of setting it aside and going to the Skirt Skills Facebook page to ask Brooks Ann yet another question. I kept adjusting until I got it to sit correctly on me.
5. Once all parts fit correctly, I transferred the changes back to my brown paper block. I then went the extra step of sewing up a second mock-up to make sure it would actually fit correctly and could be used for future patterns. Yes! It worked!
With that, I made a more permanent skirt block out of poster board, below. To accommodate my unruly hips, I chose to have all FOUR skirt pieces mapped out for my block (so there’s a separate Left Back and Left Front that’s not pictured here). If I were symmetrical, I could get away with just two pieces.
6. Shopping! I made a trip to Holland, Michigan, to visit my daughter—during Tulip Time, no less. I arrived a couple hours before she was off work in order to GO TO FIELD’S FABRICS!! I lived in Michigan for 10 years and was smitten with that store. I miss it here in Illinois.
I came home with more fabric cuts than I had intended to buy (of course), but this class has inspired me to boldly try sewing more clothing. I particularly liked this interesting and heavy blue and white cotton, very Scandinavian (I’m married to a Norwegian who loves his blues) and with an abstract hint of tulips. Well, I see tulips; I’m not sure about anyone else. I wondered if the fabric was too heavy, but what the heck! I talk all the time about being willing to experiment while making blankets, so it came naturally to me to experiment here as well.
7. I made a pattern for an A-line skirt off of my skirt block, following Brooks Ann’s guidelines, tailoring it to my own likes as far as width, length, darts or no darts, etc. Here’s that pattern, created from a skirt block copy. I traced around all pattern pieces directly onto the fabric, adding wide seam allowances for any adjustments needed during the making of the skirt.
8. After stitching in the darts and basting up the long seams, I was at another point of decision. Pockets or no? Zipper hidden or exposed? and at which seam? I had several zippers on hand to choose from—ones I’ve cut out of wool sweaters over time. No surprise!
I nixed the pockets. The fabric was too thick and the pattern too busy to make them a good idea. And I YouTubed my way through inserting an exposed zipper for the first time. Pretty simple! Mine’s not perfect, but I don’t think its shortcomings will be too visible. I’ll just have to keep moving :).
Eleven weeks later, my custom-designed, custom-fit (by ME) skirt is finished. So cool!
Guys, I have never ventured into the self-drafting world before. Blocks and slopers, muslins and mock-ups—I had heard this terminology but basically ignored it because it sounded like way too much to delve into.
But it’s fascinating! My patience for re-dos does not yet quite match my desire to solve any given fitting problem before me, but it is improving. I was proud of myself for persevering through my asymmetry trials. And now that it’s behind me, I can barely remember the frustrating moments.
A HUGE shout-out to Brooks Ann Camper, her Skirt Skills course, and her patience and willingness to work with me through every single confusing thing I ran into. I’m thrilled with what I learned and understand much more how satisfying and worthwhile it is to take the time to get things right for one’s own body.
I find I can’t stop thinking about other skirt designs and what I’d have to do to my skirt block to actually form what I’m imagining. Pockets should be in my future shortly!
*This is an unsolicited review. The opinions expressed are my own.
Our second granddaughter turned 1 last month. In the weeks leading up to her birthday—and with (coincidentally!) a visit cross-country to her family for that very date—I knew what time it was.
Time to make Greta her very own blanket.
As was true for our first granddaughter, I had to wait to know this little one awhile before attempting to create a blanket for her. (Her sister Miriam’s blanket is here.) Blankets always begin with mulling over ideas, images, sensations. And so it was with Greta’s.
My inspiration for Greta’s blanket began first of all with her smile. It is big, bold, ebullent and endearing. Most stunning of all, it appears immediately when a loved one enters her line of sight.
Next was her name: Greta, a short form of Margarethe or Margaret. It means “pearl.” The Bible talks about the pearl of great price, and I knew this was one reason her parents had chosen the name.
Next: what colors look good on her. This girl has her dad’s features and her mom’s coloring—blue eyes and light hair that’s already showing the red glints of her mama’s copper-colored hair. I automatically started turning over in my mind the greens and goldens that her mom looks great in. But when I pulled up the family photo stream just to check, I was surprised to find Greta is in her niche in bright pink and navy. Apparently her skin tone is cooler than her mom’s!
Once supplied with several thoughts to get the project rolling, I found the right colors in my stash and got started.
The color arrangement came together easily. And I knew I wanted to put a pearl in the center somewhere, but where and how? As I played with different ideas, and especially with oyster sketches, I discovered something very close to a “G” for Greta in the upside-down opened oyster. What better than a sweet cipher right there in the middle of her blanket?
And so it all came together. I finished in time for our trip, and Grandpa and I were able celebrate that amazing first birthday in person. (And eat scrumptious homemade birthday cake!)
The following note accompanied the blanket. It’s for later, when Greta’s language skills are a little stronger and this precious girl begins to mull over the things of life herself:
You are a little small for some of the symbolism in this blanket, but your name is so wonderful it couldn’t help but show up here. Your name, Greta, means pearl. Your dada and mama told us when you were born that their prayer is you would come upon the MOST precious, valuable pearl—that’s Jesus!—and want to know him more than anything else.
So there, in the middle of your blanket, is a pearl in an oyster. And if you turn that oyster upside down, there’s a secret “G” for Greta.
We love you more than words can say, Greta, and pray this same prayer for you. Happy first birthday!
Writing recently about my granddaughters’ wool clothing made me reminisce about all the items I’ve played around with out of felted sweaters. Today I’ve put together a Green Sheep roundup of THINGS-THAT-AREN’T-BLANKETS. Some of them are one-offs; some of them I chose to make a batch of and sell on Etsy. I posted about nearly all of them on this blog.
(But I didn’t post about this kitty, so he’s a bonus. The pattern is not original to me, although I did adapt it for felted sweaters. Unfortunately, I can no longer find the original (a library book?) to give the designer credit. Does this little guy not look like a rodent from the back?? It would be fun to play around with the pattern and see what other animals it could become.)
Now: On to the roundup!
Here are 15 non-blanket experiments (i.e. with the exception of leggings, tunics, slippers and hooded jacket, I drew up my own patterns). The list starts with the WAY-backs, from 2010, and comes up to the present. The links go to original blog posts, most of which were pretty spare in terms of info. But there are a few more pictures. Maybe they can get your own creative juices flowing ;)
These are all a lot of fun to try and to tweak. Certainly, having felted sweaters on hand gives a new dimension to gift-giving. And still? After all is said and done, making blankets is the thing I love the most ♥
[Credit for all the beautiful photos in this post: Grace Claus, mama of the girls]
Before winter is gone (and how I will rejoice to wave goodbye to this very long, very cold winter!) I wanted to show you how I used felted wool sweaters in Christmas gifts for our granddaughters.
My daughter was looking for some Merino wool bottoms and tops for the girls, things they could wear to play indoors or layer to be outdoors. There are lovely ready-mades for this purpose, like this and this…but my DIY nature made it hard to avoid experimenting with what I had on hand.
Next I looked for little-girl shirt patterns I already owned. In a bundle of patterns I had bought from Sew Like My Mom a year ago I discovered the Posey Tunic. This pattern includes several sleeve and hemline variations. Nice versatility! I chose long sleeves and adapted it for each granddaughter.
Unfortunately, in my haste to finish sewing and then package up the gifts before Christmas, I neglected to take photos. Recently my daughter helped me out by taking several for me. Although I love the look of an item freshly sewn and pressed, these pictures tell a better story: These clothes look like they have been happily well-used this winter!
For every one of these garments, I needed to mess around with the layout because of the repurposed aspect of this project. Pieces of felted wool sweaters turn out to be all sorts of unconventional shapes and sizes! But I measured and squeezed and pieced together in order to get everything I needed. Using sweater sleeves with their finished edges works especially well for the legs of the leggings.
Here are the leggings, with small appliqués added to the front of each pair to easily differentiate front from back—especially for a 3-year-old dressing herself.
And here are the tunics. For the 3-year-old who loves purple and pink, the closest I could find in my stash turned out to be a maroon beaded sweater with crocheted edging. A little grown up, but I picked it anyway. I love the edging. And for the little one, I found a very sweet gray and barely-pink striped cashmere. There wasn’t much of it, so I complemented it with plain gray cashmere for the sleeves and neckline.
I’m pretty certain I’ll do more of these or something similar in the future. They were relatively quick to sew and they satisfied my itch to give some handmade gifts. They also gratified my fondness for figuring out a puzzle and fitting the pieces together just right. I highly recommend all the patterns I used!
Have you tried projects out of felted wool sweaters? Big or small, it’d be interesting to hear what you’ve experimented with. Comment in the comment section below ↓↓ and proudly share your project ideas. I’d love to hear what you’ve come up with.
You can read more about how Disney got to be so special to them here.
Now a little guy has joined the family, and so another blanket arrives as well.
This is for four-month-old Walt. (Is his name a Disney coincidence??) Walt joins two sisters and one brother, perfectly leveling things out, at least for now (two boys, two girls). He is big-eyed and curious. He loves gazing at his mama. He glows whenever he sees his dad. He loves kisses and smiles from his big sisters and brother.
And when his grandma calls him “Sweetness,” his tiny face breaks into a giant smile.
In my original sketch for the blanket, I had the diagonal striped piece with the blue neckline nearer to the top of the blanket. But when I actually laid out the appliqués this way, I found they didn’t balance well—they were too far apart from each other. So I rotated the blanket and laid the castle on that colorful stripe. A soft serendipitous sunset appeared behind the turrets!
When I told my client this, she said the colors in the stripe are reminiscent of early Disney Hotel decor. She explained that had drawn her to this blanket’s colors in the first place. (I searched for this vintage Disney palette on Google Image but could not find it. If any of you are familiar with this and find it, please share it with me!)
Sweet Baby Walt. I hope you will always fill up on the smiles of the fabulous people in your life. This big family of yours—your mom and dad, brother and sisters, grandmas and grandpas, aunts, uncles and cousins—they love you wildly. May you flourish in that love always!