A blanket for a stranger

(“Strangers are friends you have yet to meet.”)

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This is the final collection weekend for Operation Christmas Child shoe boxes. OCC is a faith-based global effort that sends off gifts packed in shoe boxes to children whose lives have been touched by disasters, war or poverty.  I’ve known about this activity for years; I even know two wonderful young adults who were significantly affected by the shoe boxes they received as children in a Russian orphanage many years ago.

But I sheepishly admit I never packed a box myself until two weeks ago.

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A few weeks ago, my church made available empty shoe boxes from OCC, and my small group (a baker’s-dozen of great women) decided to have a packing party of our own. We each volunteered to shop for 13 somethings–toothbrushes, toothpaste, pencils, pads of paper, candy, toys, wash cloths, bars of soap, socks, cards and more–and bring them together to pack boxes. (I picked up some of Ikea’s colorful children’s tableware.) We were each to also add one “Wow!” gift to our own box. My “Wow” gift was a soft, sweet-eyed, stuffed-animal puppy.

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A few days before our packing night, both of our grown daughters (and 10-month-old granddaughter–gah!) happened to be visiting for the weekend. Saturday evening we popped in the DVD of a film recommended to me by a co-worker: The Drop Box. The seed for the film was planted when a young Los Angeles filmmaker (with Sundance aspirations) was eating breakfast one morning over the LA Times. On the front page, he read a story about a pastor in Korea who rescued unwanted babies by building a small warming box in the wall of his church, a “drop box” for newborns. The film is interesting, surprising, and to me, very moving. I came away with a renewed sense of the deep value of every single life.

As often happens in my brain, the experience of the film mingled with some other information up there in my head. In this case, I was thinking about a woman named Gift I’ve gotten to know a little this past year. Gift is from Zambia, and every year she raises money to send to her village for blankets for the women and children, who often do not have one of their own.

Sunday morning I woke up with one thought on my mind: I wanted to pack a wool blanket in my little shoe box, to let its young recipient know that she is one-of-a-kind in this wide, wide world, and someone somewhere was thinking about her.

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So that Sunday morning I pulled out my stacks of already-cut strips of wool sweaters, to see what child-friendly combination I could assemble. But it wasn’t working. I needed to start from scratch. With those bright Ikea dishes nearby, I chose a rainbow of saturated colors and got to work. I had just been working on a custom-ordered child’s blanket with diagonal stripes and decided to repeat the pattern. I love its youthfulness and sense of movement.

As I was limited to the interior of a shoe box, I knew this blanket couldn’t be thick, so I chose cashmere, merino wool, and lambswool. The result? It’s exceedingly lightweight and yet cozy and warm.

I hope it can feel like a cuddle to a little girl.

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I made our deadline and packed up my box. (In the photo, it looks like the blanket is taking up the whole box, but all the practical items are rolled up in the blanket.) Unfortunately, there was not enough room for that precious puppy. (Not for lack of trying, though! I even bought a bigger plastic box, but realized this would not feel fair to a group of kids on the receiving end.)

Of course, I likely will never meet the “5- to 9-year-old girl” this box is destined for. But I did learn from the woman at the collection counter that among the countries this batch of boxes is headed toward is Zambia :). Godspeed, little boxes!

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“A Christmas Rainbow” (Size: 40″ x 50″)
Named by readers in this post here.
The blanket has already gone to a good home.

For the love of imagination

Princess & Sunny Day

Princess & Sunny Day

When I was young, I read a poem by Robert Louis Stevenson that struck a chord with me. “The Land of Counterpane” is about a sick boy, confined to his bed, who relies on his imagination to entertain himself. (“Counterpane” is an old word for coverlet or bedspread.) 

The Land of Counterpane

When I was sick and lay a-bed,
I had two pillows at my head,
And all my toys beside me lay,
To keep me happy all the day.

And sometimes for an hour or so
I watched my leaden soldiers go,
With different uniforms and drills,
Among the bed-clothes, through the hills;

And sometimes sent my ships in fleets
All up and down among the sheets;
Or brought my trees and houses out,
And planted cities all about.

I was the giant great and still
That sits upon the pillow-hill,
And sees before him, dale and plain,
The pleasant land of counterpane.

When I hung up the phone from talking to the client who ordered this pair of blankets I’m about to share with you, I realized that Stevenson’s poem was vigorously stroking its way out of the depths to the surface of my memory pool. 

∴ ∴ ∴ ∴ ∴ ∴ ∴

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Anika Yael Natori contacted me last year to ask me to make blankets for her two young children. She had seen my work in person as she is friends with the owner of Calliope’s Castle and its coordinating pillow shams. Yael told me she loved the whimsy in those.

Yael has a fascinating story, which she shares on her Josie Girl Blog. She is the child of immigrants — her mom is from Mexico, her dad from Poland. She grew up in Eugene, Oregon, with her parents and brother (“A family of academics!” she says.) A creative family too. Yael tells me as a girl she liked to make dolls and clothes while her brother would sew beautiful quilts.

After college, Yael became an academic herself and taught math for several years. She continues to tutor. This post of hers about teaching gives a glimpse of her love and enthusiasm for life and people.

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Yael fell in love with and married her brother’s best friend, Ken Natori. Ken is the son of Josie Natori — fashion designer, CEO, and founder of The Natori Company. (Yael blogs for the company’s contemporary Josie collection.) As Ken is now president of the company, he, Yael and their children Cruz and Zoe make their home in New York City — but take lots of trips to Eugene, where Yael cherishes her roots.

Each time I interacted with her, I caught the mix of West coast and East coast, of country girl and city girl, of down-to-earth freedom to be herself combined with appreciation for New York’s insistence to take note of all things modern! stylish! intriguing! I have completely enjoyed working with this interesting woman.

And now it’s time to turn our attention to the kids, the blankets, whimsy … and Robert Louis Stevenson.

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Yael describes 6-year-old Cruzzie as a sweet, sensitive, inquisitive boy who loves to explore. Areas of interest: planes, trains, and everything underwater. She describes her 3-year-old daughter Zoe as a firecracker with big, luscious, kissable cheeks. Areas of interest: animals, princesses, blocks, and puzzles.

When I finished my phone call with her and Stevenson’s poem was surfacing for me, all I knew is that I needed to give each child a landscape of their own to fuel their imaginations.

Yael shipped me a box of her kids’ outgrown clothes of wool and cashmere (oh, to be related to someone in the fashion world!). I have to tell you how much this box of clothes warmed my (occupational therapist’s) heart — especially the worn-through knees in the leggings. The sign of serious play!

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The scene I wanted for each child gradually came together. For Cruzzie, this is “Under the Sea”

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…An underwater scene with turtle, seahorses, whales, the bottom of a boat, fish, rocks, plants, and starfish — all under a clear blue sky on a sunny day. From the Natori stash come the striped turtle and whale bodies, the rocks, the boat and its button-portholes, and the middle strip of turquoise blue with the navy neck and edge ribbing.

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And for Zoe, this is “The Princess and the Sunny Day”

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…A valley kingdom surrounded by hills, with a princess (with cheeks!), her animal friends (including a frog because — one never knows — he may have some royal DNA), and a river meandering through the valley for farmers. (Well, I made it as a river, but a friend who saw it imagined it was a road. That’s the thing here — you can make up the story.) There is also a bridge to cross for further adventures. It’s the same clear sky and sunshiny day that Cruz’s blanket has. Because they’re a pair!

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Here the Natori stash provided most of the browns, tans, grays and creams with all the sweet little details of small clothes: pockets, buttons, elbow patches, and necklines. The reds and pinks are also Zoe’s. I added sweaters from my own stash to both blankets to round out what I needed color-wise.

Natori siblings Natori siblings

Dear Cruzzie and Zoe: As you use your imaginations to play in your Lands of Counterpane, my hope is that you, Cruzzie, will “sometimes send your ships in fleets”, and you, Zoe, will “bring your trees and houses out, and plant some cities all about” … or whatever! Just enjoy. It was my pleasure to create these just for you.

[Postscript: Yael posted here about these blankets after she received them — with more pics of the blankets and her little girl too :). Thanks for the shout-out, Yael!]

Natori siblings

“The Princess and the Sunny Day” and “Under the Sea”
(each 43″ x 55″)

These are custom-ordered blankets.