I’m trying to buckle down, slice up some wool sweaters, and get to work today. But my mind is distracted.

This day, this in-between day that sits after Good Friday and before Easter morning, always makes me somber. What took place that Saturday before the original Easter, the day of Jesus’ resurrection? We don’t know, and whatever it is is likely beyond my earth-bound comprehension anyway. But there is a poem that has moved me since I first read it in my 20s with one possibility of that particular Saturday’s events.

The poet is Madeleine L’Engle, also author of the much better known A Wrinkle in Time. She wrote this poem in response to a fresco in the Church of the Chora in Istanbul. She says in The Irrational Season (1977):

“I stood there, trembling with joy, as I looked at this magnificent painting of the harrowing of hell. In the center is the figure of Jesus striding through hell, a figure of immense virility and power. With one strong hand he is grasping Adam, with the other, Eve, and wresting them out of the power of hell.”

By Gunnar Bach Pedersen (Self-photographed) [Public domain], via Wikimedia Commons

“Great and Holy Saturday”
by Madeleine L’Engle

Death and damnation began with my body still my own,
began when I was ousted from my place,
and many creatures still were left unnamed.
Gone are some, now, extinct, and nameless,
as though they had never been.
In hell I feel their anxious breath, see their accusing eyes.
My guilt is heavier than was the weight of flesh.

I bear the waste of time spent in recriminations
(“You should not have…” “But you told me…” “Nay, it was you who…”).
And yet I knew my wife, and this was good.
But all good turned to guilt. Our first-born
killed his brother. Only Seth gave us no grief.
I grew old, and was afraid; afraid to die, even knowing
that death had come, and been endured, when we
were forced to leave our home, the one and only home a human man
has ever known. The rest is exile.
Death, when it came, was no more than a dim
continuation of the exile. I was hardly less a shadow
than I had been on earth, and centuries
passed no more slowly than a single day.

I was not prepared to be enfleshed again,
reconciled, if not contented, with my shadow self.
I had seen the birth of children with all its blood and pain
and had no wish ever to be born again.

The sound, when it came, was louder than thunder,
louder than the falling of a mountain,
louder than the tidal wave crashing down the city walls,
stone splitting, falling, smashing.
The light was brutal against my shaded eyes,
blinding me with brilliance. I was thousands 
of years unaccustomed to the glory.
Then came the wrench of bone where bone had long been dust.
The shocking rise of dry bones, the burning fleshing,
the surge of blood through artery and vein
was pain as I had never known that pain could be.
My anguished scream was silenced as my hand was held
in a grip of such authority I could not even try to pull away.
The crossed gates were trampled by his powerful feet
and I was wrenched through the chasm
as through the eye of the hurricane.
And then—O God—he crushed me
in his fierce embrace. Flesh entered flesh;
bone, bone. Thus did I die, at last.
Thus was I born. 
Two Adams became one.
And in the glory Adam was.
Nay, Adam is.

Perhaps this will carry your imagination—or heart—to considerations beyond bunnies, baskets and eggs, sweet though they may be, toward the immense power and astonishing purpose of the original Easter weekend.

(I’m so grateful to artists, writers, and musicians who can help me with this. Tomorrow I have one more to share! For earlier Easter posts, see here, here, and here.)