“How do you back your blankets?”
This is a question I am frequently asked! Actually, I leave my narrow seams raw. It means the back of a blanket is a lot like the inside of the shirt or jeans you have on. (Spoiler alert: This is not true for the blanket in the current post!)
(You can see my blanket backs in this previous post and this one and this one, for example. Scroll down in each post to look for a pic where the back is flipped up and exposed.)
Why do I do this? Two reasons.
Reason #1 I love the drape of these stitched-together swaths of wool. They’re malleable. They move with cohesion and lightness. They can do this because there is no back to impede this.
Reason #2 To apply a backing to the various shifting, stretchable knits (from a mixture of sweaters) that comprise one blanket requires a LOT of careful and precise stabilizing. Yards of hand-basting and dozens of safety pins come into play. Except it’s more workout and less play! It takes a strong back to hold, pin, and baste while leaning over the work surface for an extended period. The time needed to do this well translates into a higher cost per blanket.
In sum, if an appropriate backing does not spoil the drape and the hand of the finished wool piece, it can be a lovely thing. Yet its cost in time, money, and back wear is high. STILL! Despite my carefully studied conclusions above, I have a backed blanket to show you.
It happened like this:
My client wanted a wedding gift of a lap blanket for her niece and husband. Serendipitously, for a project I was experimenting with, I had recently assembled several sweaters into a piece in the very colors she desired. I showed her. Perfect! But the fabric was too lightweight to hold its own as a lap blanket.
This client has worked with me before—she’s my lap-size blanket aficionado—and knows I’m a no-backing kind of gal. But she asked if I’d consider putting one on this time. I contemplated. If ever there was a time to try my hand at this, it would be with this manageably-sized blanket. I said yes.
I chose a very soft cotton flannel for the back, keeping the blanket cozy and pliable, and bound the edge with cashmere. While I considered doing some fancy quilt-type top stitching, I don’t have enough experience to know how to effectively conquer the shift and bunch-up challenges caused by the knit. I instead stitched along the stripe lines of the blanket.
Mid-project, my client brought to me some pieces of satin and lace she had found from her mother’s wedding dress. Could I use them? If so, the niece would have “something old” from her grandmother’s wedding dress permanently part of this wedding gift blanket.
There was enough lace to span two long edges, and enough satin to sew up three bridal flowers. I love the touch of antique white and the family presence and significance that comes with it.
Congratulations, Erica and Brian!
Like lace, may your marriage be unique and ever-intriguing;
like satin, may it ever be deep and rich.
©Joan Olson “Satin and Lace” (37×57)
Medium: Felted wool sweaters
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